Theatre Breaks - tagged with her-majestys-theatre http://www.theatrebreaksblog.co.uk/feed en-us http://blogs.law.harvard.edu/tech/rss Sweetcron aroberts@gmail.com Love Never Dies Official Launch http://www.theatrebreaksblog.co.uk/items/view/1311/love-never-dies-official-launch

The Official launch press conference for Love Never Dies takes place today October 8th at Her Majesty’s Theatre in London’s Haymarket, the home of the Phantom of The Opera for the past 23 years. Love Never Dies has been regarded as a risky venture by some, since it will be the first ever West End musical sequel, while others say that it doesn’t matter whether it’s a sequel or not, as long as it’s a great musical. ** Book LOVE NEVER DIES Tickets ** Andrew LLoyd Weber makes the important launching speech and the big stars who have been workshopping the show, Ramin Karimloo and Sierra Boggess perform excerpts from the new score. Songs expected to be included in the Love Never Dies score are

The Heart Is Slow To Learn Fortune Teller

Love Never Dies will begin previews at the Adelphi Theatre in March 2010.

Technorati Tags: Adelphi Theatre, Andrew LLoyd Webber, Fortune Teller, Her Majesty's Theatre, Love Never Dies, press conference, Ramin Karimloo, Sierra Boggess, The Heart Is Slow To Learn

]]>
Thu, 08 Oct 2009 03:36:00 -0500 http://www.theatrebreaksblog.co.uk/items/view/1311/love-never-dies-official-launch
Love Never Dies http://www.theatrebreaksblog.co.uk/items/view/1308/love-never-dies

Love Never Dies and The Phantom Love Never Dies is the title for the sequel to The Phantom of The Opera, the popular West End and Broadway musical which has been running continuously at Her Majesty’s Theatre, London since 1986. Phantom of the Opera theatre breaks have been the upmarket choice for hundreds of thousands of couples wanting a special night out with spectacular effects, operetta style music, a full orchestra and a holiday break in London never to forget. Love Never Dies Theatre Breaks Soon it will be possible to relive Phantom of The Opera theatre breaks without seeing the same musical all over again, because a new musical called Love Never Dies, and set in New York is due to open in London and other cities imminently. The Phantom himself sent me an email : “Ladies and Gentlemen, At 11 o’clock on the eighth day of October 2009, I will be making an announcement of global importance. Should my commands be ignored, a disaster beyond your imagination will occur. Amor Numquam Moritur. Your Obedient Servant, The Phantom” Love Never Dies – The Musical Love Never Dies the musical is set in 1907, ten years after the conclusion of the original Phantom Of The Opera story. The Phantom himslef escaped to New York in the US with Madame and Meg Giry. There he worked as a magician and entertainer on Coney Island. He builds a new opera house and convinces Christine Daae, now a huge star in her own right, to sing for him once again.

Love Never Dies the musical has lyrics by Glenn Slater, is directed by Jack O’Brien and designed by Bob Crowley, with choreography by Jerry Mitchell and lighting by Paule Constable. The launch day announcement on October 8th is expected to confirm rumours that the Love Never Dies will have a world premiere opening at London’s Adelphi Theatre in March 2010, following lengthy previews. Casting is expected to include Ramin Karimloo as the Phantom, American Sierra Boggess as Christine, and Summer Strallen as Meg Giry. Well those are the rumours, but with rehearsals well under way at a big location outside of London, it’s also just possible that the opening of Love Never Dies will be brought foreward in time for the December January peak theatre season.

Technorati Tags: Adelphi Theatre, Christine, Her Majesty's Theatre, Love Never Dies, Meg Giry, phantom, Ramin Karimloo, Sierra Boggess, Summer Strallen

]]>
Wed, 23 Sep 2009 06:48:00 -0500 http://www.theatrebreaksblog.co.uk/items/view/1308/love-never-dies
Phantom of the Opera -a Classic Night Out http://www.theatrebreaksblog.co.uk/items/view/96/phantom-of-the-opera-a-classic-night-out

Arriving at Phantom of the Opera We arrived at Her Majesty’s Theatre at around 7 p.m. The foyer was already buzzing with early arrivals, programme sellers and theatre staff selling glasses of chilled champagne.We resisted the temptation (just!) and picked up our tickets. It was just lovely not to have to queue. In the Bar of the Theatre Then we headed for a pre-show drink in the bar. The bars are bright and attractive with a varied range of drinks available. I was greedy and opted for a “large”, actually huge, glass of pinot noir. We enjoyed the bustle as more people arrived, enough to be a crowd but not so many as to be a crush. The doors to the auditorium opened about ten minutes before the show was due to start. The theatre quickly filled and even on a Monday night there were very few empty seats. ** Book Phantom of The Opera Theatre Breaks via Superbreak ** A Lovely Old Theatre and a New Sound System

We made our way to our seats and began to look around. It really is a lovely, old fashioned theatre. There’s something much more intimate about the older West End theatres. Here we really felt we were close to the stage rather than watching everything happening in the distance. I’d been a bit concerned with all the talk of the Phantom’s new sound system but I needn’t have worried. The amplification was just about right for the space and the suitably spooky sound effects weren’t too intrusive. Very Special Effects There are some super effects in Phantom of the Opera. I must admit I was a bit worried when I realised I was sitting directly underneath that famous Phantom chandelier ! There are some quite magical moments but I’m not going to go into too much detail in case you’ve not been yet. The production has been around for over 20 years and yet it still works and seems quite fresh. The Music of the Night Much of the music of Phantom of the Opera is quite familiar. There was some quite wonderful singing from the principals and from the ensemble. I did find it hard at first not to make comparisons with Michael Crawford and Sarah Brightman. They both have such distinctive voices. Once I was swept up in the live performance though, I suspended my disbelief and lost myself in the story, the spectacle and the glory of the music. The Costumes I thought the costume designs were stunning. I loved all the opera costumes and make-up. It was like watching a period theatre print or one of those paper toy theatres come to life. I thought Masquerade scene was also a particular joy but my partner was not so sure and thought it was ‘a bit garish’. And indeed, it was garish. I thought that just added to the nightmare quality of the scene. The Story of Phantom of the Opera I’m sure there are people who don’t know the story of Phantom of the Opera. For that reason I’m not going to give the plot away here. I will tell you that the story centres on a rather dreamy, fragile young woman. Christine is a member of the chorus of the Paris Opera sometime in the 19th century.Her father was a famous musician and before he died he promised he would send her ‘the angel of music’ to take care of her. Suffice to say what she believes to be the angel turns out not to be quite what she thinks. Drawn to the Phantom yet repulsed by him Christine has to make a choice. The story is full of sweeping romantic emotions and gothic fantasy. Tragedy and pathos intertwine as we see what formed the monster that the Phantom has become. I think the Paris setting works well because it is the ultimate, romantic city. I don’t mean the soft romantic comedy sort of romance. I mean Romantic with a capital R, gothic trappings and plenty of angst! The production taps into that idea of Paris, making me think of those overgrown cemeteries and pale, doomed young women who are half in love with death. I love the idea that below the Paris Opera there’s might be a vast subterranean lake. It is like something from a fairy tale. Phantom of the Opera is a Classic It was a glorious night of extravagant musical theatre. We came out of the theatre into the London night with that lovely feeling that only comes from seeing a good show. I wasn’t alone either. All around me people were talking about what a great evening it had been and how much they’d enjoyed it. The chap next to me certainly had as I’d gradually noticed he was very quietly singing along through the whole show! (He had a nice voice and it was very quiet so not a bit annoying!) Even on a cold Monday evening in January the West End is buzzing as people come out of the shows. I felt quite envious of those who weren’t off to catch a train but were heading for their hotels. Too hyped up to go straight home, we wandered off in search of an after-theatre supper and a chance to talk over the evening. A couple of days later I’m still humming The Music of the Night and remembering The Phantom Of The Opera. ** Book Phantom of The Opera Theatre Breaks via Superbreak **

Related Posts:Phantom of The Opera 5 Facinating FactsPhantom gets a new state of the art sound systemPhantom of the OperaChicago and Phantom extend into 2009Imagine This - Casting Newsa Phantom of the Opera -a Classic Night Out

]]>
Sun, 01 Feb 2009 07:36:00 -0600 http://www.theatrebreaksblog.co.uk/items/view/96/phantom-of-the-opera-a-classic-night-out