Man In The Middle theatre breaks http://theatrebreaks.co/wiki/Man_in_the_Middle
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I posted to theatrebreaksforum.co.uk
Man In The Middle theatre breaks http theatrebreaks…
http://theatrebreaksforum.co.uk/man-in-the-middle-theatre-breaks-http-theatrebreaks/
December 3 2011, 5:05am | Comments »
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I posted to theatrebreaksmag.co.uk
2012 Theatre Breaks in the Olympics and Jubilee Year
http://theatrebreaksmag.co.uk/2012-theatre-breaks-in-the-olympics-and-jubilee-year/
2012 Theatre Breaks 2012 is a special year for the United Kingdom and theatre breaks, not just because of the London 2012 Olympic Games, but also because it’s the The Queen’s Diamond Jubilee year as well. That means a lot of extra activity and tourism in central London which will have an effect on the West End venues and on Theatre Breaks bookings. Over twenty shows have responded by extending booking dates early so that you can book early, right now, for all the popular musicals and plays right through into the 2012 celebration year, which may help a lot of people to combine tourism trips and spectating with theatre breaks in London. First the two main events of the year: The Queen’s Diamond Jubilee
To mark 60 years of the Queen’s reign the Diamond Jubilee will take place in 2012. The celebrations will centre around an extended weekend in 2012 on 2nd, 3rd, 4th and 5th June 2012.
The Department for Culture, Media and Sports is responsible for coordinating the Government’s role for Her Majesty’s Diamond Jubilee celebrations. Buckingham Palace will be coordinating the Queen’s programme for the Diamond Jubilee, including the arrangements for the central Jubilee weekend in the first week of June 2012. For further information about the Diamond Jubilee and the events taking place during 2012, please visit direct.gov.uk/diamondjubilee The London 2012 Olympic and Paralympic games Olympic Games 27 July-12 Aug 2012 The London 2012 Olympic Games will feature 26 sports, which break down into 39 disciplines. Paralympic Games 29 Aug-9 Sept 2012 There are 20 sports in the Paralympic programme for the London 2012 Games. Paralympic Cycling breaks down into two disciplines: Road and Track. Cultural Olympiad The London 2012 Cultural Olympiad is the largest cultural celebration in the history of the modern Olympic and Paralympic Movements. London 2012 Festival The London 2012 Festival is the finale of the four-year Cultural Olympiad, taking place from 21 June to 9 September 2012. Complementing the sport events at the Olympic and Paralympic Games, the Festival will be the biggest party the UK has ever seen, with a huge range of events from leading artists from all over the world. Theatre Breaks
To be honest, nobody really knows exactly what effect all of this is going to have on London theatre breaks during the 2012 celebration year. Obviously there is going to be a high demand for hotel accommodation and London is going to be prominent in the world’s attention. People who are in London anyway may well wish to visit the West End theatres as part of the whole London experience, and there are certainly plenty of great shows on offer this year. Meanwhile the traditional theatre going public may decide to avoid certain dates in order not to get caught up in the crowds and busier traffic. In order to make the most of the 2012 opportunity presented though, the London theatres as a whole have announced extensions to the booking dates for more than 20 popular shows well in advance, so that those with Olympics tickets or other intentions can book theatre breaks as part of their overall London trip of a lifetime. The shows which have extended so far are as follows: Some of the shows announcing 2012 booking dates extensions are the following West End musicals and plays: We Will Rock You Wicked The Wizard of Oz Billy Elliot the Musical Blood Brothers Dreamboats and Petticoats Jersey Boys The Phantom of the Opera Mamma Mia! Legally Blonde the Musical Ghost The Musical Les Misérables Shrek The Musical Disney’s The Lion King Million Dollar Quartet The Mousetrap The 39 Steps Stomp Thriller Live War Horse The Woman in Black Rock of Ages Matilda The Musical
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August 1 2011, 8:55am | Comments »
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I posted to flickr.com
West Street, St. Martin's Theatre
http://www.flickr.com/photos/andytakersdad/5708720935/in/pool-473288@N25
Steve Thoroughgood has added a photo to the pool:
The Mousetrap has been running here since 1974; prior to this, it ran for 22 years at the Ambassador's theatre next door.
8 May 2011.
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May 10 2011, 10:56pm | Comments »
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I posted to theatrebreaks.co
Be My Baby – theatre review
http://theatrebreaks.co/619/be-my-baby-%E2%80%93-theatre-review/
Derby theatre review.
This article titled “Be My Baby – review” was written by Alfred Hickling, for The Guardian on Thursday 5th May 2011 21.00 UTC The 1960s are so firmly associated with sexual liberation that it’s easy to forget the generation of unmarried mothers who never had it so bad. Illegitimate children were often born secretly in church-sponsored homes, before being given up for adoption. There’s very little research on the subject: until the 1970s, such facilities remained an undiscussed yet ubiquitous phenomenon. Amanda Whittington, who was the first writer to give this subject dramatic treatment, is an undiscussed yet ubiquitous sort of writer. There’s rarely a point at which a regional playhouse isn’t performing one of her plays, and the text of this one has quietly slipped on to many GCSE reading lists. It must be hard for today’s teenagers to fathom a period of history in which sex education was delivered not so much through teachers as through Ronettes‘ singles. Yet Whittington cleverly coats the bitter pill of her characters’ experience with the sugared naivety of popular girl-group routines. The story focuses on Mary, a well-to-do 19-year-old whose single indiscretion has landed her in a dour dormitory with only her portable record-player for comfort. Given the current tendency of female singers to emulate the lacquer-and-lashes look of 1960s pop stars, she has a surprisingly contemporary style: very up the Duffy, one might say. Esther Richardson’s sensitive production features fine work from Emily Alexander’s ever-optimistic Dolores, Jenny Hulse’s distressed Norma and Michelle Jate’s jaded, been-here-before Queenie. But the evening belongs to Jessica Clark’s exceptionally poignant Mary, who begins the play no more than a child and heartbreakingly ends up leaving without one.
guardian.co.uk © Guardian News & Media Limited 2010 Published via the Guardian News Feed plugin for WordPress.
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May 5 2011, 4:07pm | Comments »
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I posted to theatrebreaksmag.co.uk
Theatre Breaks in December – What’s On
http://theatrebreaksmag.co.uk/theatre-breaks-in-december-whats-on/
Theatre Breaks for December 2010 An occasional list post about current musicals and plays for London theatre breaks. With a few shows closing at the end of October or in November the list of what’s on for December theatre breaks in the West End should look like this: Musicals for Theatre Breaks
We Will Rock You Jersey Boys Oliver! Flashdance Wicked Love Story Blood Brothers Dirty Dancing Love Never Dies Mamma Mia Billy Elliot Phantom of the Opera Lion King Les Miserables Priscilla Queen of the Desert Thriller Live Grease Chicago Stomp Legally Blonde
Plays and Other Theatre Breaks
The Mousetrap War Horse Deathtrap An Ideal Husband Ghost Stories Yes Prime Minister Birdsong Onassis The 39 Steps
October 4 2010, 7:22am | Comments »
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I posted to theatrebreaksmag.co.uk
Theatre Breaks to see Plays
http://theatrebreaksmag.co.uk/theatre-breaks-to-see-plays/
Do you like to see a good old fashioned play on the London stage with a proper plot, serious actors not TV stars and a playscript that makes you think, fear, jump in surprise and maybe even laugh? Theatre breaks in London don’t have be just for musicals, there are a number of very good plays on in the West End at any time of year, but the autumn season is particularly good for theatre breaks to see plays. The main difference to booking musicals theatre breaks is that the plays do tend to be on for much shorter runs. So unless you want to see Mousetrap again, and why wouldn’t you, then you might need to hear about a good play that’s on now, and book it with a hotel break for maybe next month or sometime within a medium timespan when you know the play will still be running. Otherwise you just keep on missing the best ones because they close after about twelve weeks or something like that. For example, just arrived in London is a play called Deathtrap which is a big production with four great actors and a fantastic set, a proven playscript because it’s been on before in Broadway for a very long run as it happens, and in London once before in the 1980s. But if you want to book theatre breaks to see Deathtrap then you would need to have a date in mind that is before 22nd of January, 2011. That may seem a long way away, but once you start thinking about Christmas and New Year theatre breaks , the time has been and gone! Simon Russel Beale is in Deathtrap Deathtrap is one of the bigger productions but there are some others coming up for short runs as well. The Arthur Miller play – “All My Sons” finished on 2nd October 2010 Season’s Greeting by Alan Ayckbourn starring Catherine Tate opens on December 8th 2010 Top tip for 2011 drama theatre breaks will be Blithe Spirit, a Noel Coward comedy starring Ruthie Henshall and others. But if you want to see a Noel Coward before next year then Design For Living is on at the Old Vic until November 27th 2010. Yes Prime Minister is a comedy play based on the TV series but brought up to date for Gielgud Theatre which opened on 16th September 2010 booking through til 15th January 2011. This would be a good bet for theatre breaks in London too. And if you prefer Oscar Wilde, then “An Ideal Husband” is at the Vaudeville Theatre from 4th November 2010 to 19th February 2011
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September 18 2010, 11:55am | Comments »
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I posted to flickr.com
39 Steps
http://www.flickr.com/photos/fizikal_rex/4712609414/in/pool-473288@N25
Fizikal Rex has added a photo to the pool:
Criterion Theatre, Picaddilly Circus, London.
June 18 2010, 2:29pm | Comments »
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I posted to flickr.com
39 Steps at Night
http://www.flickr.com/photos/fizikal_rex/4711968417/in/pool-473288@N25
Fizikal Rex has added a photo to the pool:
Criterion Theatre, Picaddilly Circus, London.
June 18 2010, 2:28pm | Comments »
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I posted to theatrebreaksmag.co.uk
Cat On A Hot Tin Roof
http://theatrebreaksmag.co.uk/cat-on-a-hot-tin-roof/
Cat On A Hot Tin Roof in London Cat On A Hot Tin Roof is a play by Tennessee Williams that has been a great success on Broadway for four months and now comes to the Novello Theatre in London with most of the original cast. Set in the deep South of the USA in the early part of last century, this adaptation of Cat On A Hot Tin Roof is remarkable for having a cast of all black actors, or African Americans as the politically correct but technically incorrect Americans would say, since the lead role, Brick is played in London by a British actor.
If you’re looking to see a serious play in London, full of drama and intrigue, unafraid to tackle the heavyweight topics of human relationships, then Cat On A Hot Tin Roof would be the one to choose for a high-brow theatre break in London without any music and dancing. The acting in this one is very powerful indeed, and at times humorous, while the brilliant writing of Tennessee Williams drives the plot forwards so you would never notice the hours passing. James Earl Jones as Big Daddy James Earl Jones (the voice of Darth Vader) was born to play the part of Big Daddy, and Adrian Lester in the part of Brick does a magnificent job of anchoring the whole show around him, while his stage wife, “Maggie the cat” played by Sanaa Lathan does most of the talking.
James Earl Jones is well known for his deep bass voice and he puts it to good use in the role of Big Daddy. As child he had elective mutism due to a very severe stammer and dyslexia, both of which he eventually overcame. Jones grew up in Mississippi and says he know men just like the old plantation owner. He is older than you might think at 78 and remembers seeing Burl Ives in the role when Cat on a Hot Tin Roof first opened on Broadway in 1955. He says he has been wanting to play the role for many years and has modeled his performance on that of Ives. The production team seem genuinely excited to be bring this show to London and it does seem likely that the people of the UK as a whole will respond by bringing an appreciative new audience in to the West End of London for the four and a bit months that Cat on A Hot Tin Roof provides the opportunity for.
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November 25 2009, 3:45am | Comments »
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