Three Days In May theatre breaks http://theatrebreaks.co/wiki/Three_Days_In_May
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Three Days In May theatre breaks http theatrebreaks…
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November 18 2011, 2:00am | Comments »
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I posted to theatrebreaksforum.co.uk
A Round Heeled Woman http theatrebreaks co wiki…
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A Round-Heeled Woman http://theatrebreaks.co/wiki/A_Round-Heeled_Woman
November 16 2011, 3:02am | Comments »
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I posted to theatrebreaksforum.co.uk
Sierra Boggess on theatre breaks wiki http theatrebreaks…
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Sierra Boggess on theatre breaks wiki http://theatrebreaks.co/wiki/Sierra_Boggess
November 15 2011, 6:15am | Comments »
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I posted to theatrebreaks.co
This week’s new theatre
http://theatrebreaks.co/258/this-weeks-new-theatre/
This week’s new theatre includes a Mike Leigh play, Shakespeare, David Eldridge and more. London theatres mentioned are in Islington, the Almeida, Hampstead Theatre
This article titled “This week’s new theatre” was written by Mark Cook & Lyn Gardner, for The Guardian on Saturday 5th March 2011 00.07 UTC Ecstasy, London So successful has Mike Leigh been as a film director, with international hits such as Secrets And Lies and the most recent, Another Year, that it’s easy to forget he started out in theatre. He’s still best known for the cult play Abigail’s Party, which premiered at Hampstead Theatre in 1977. Leigh, using his improvisational approach, has staged three more plays at Hampstead, and now he returns to direct one of them. Ecstasy is set in 1979, when Margaret Thatcher is set to change the country. In a north London bedsit, political turmoil is reflected in the maelstrom of a group of friends. Expect pain and humour in equal measure. Hampstead Theatre, NW3, Thu to 9 Apr Mark Cook The Cleansing Of Constance Brown, Birmingham Who is Constance, and how can she be everywhere and nowhere at the same time? In Stan’s Cafe’s intriguing show, first seen back in 2007 and performed without words in a 14 metre-long corridor, Constance is a mysterious presence. She’s the figure just glimpsed at the edge of the frame in a TV news story, the unidentified figure in a painting or photograph of famous people, the person nobody notices as momentous events unfurl. The corridor is the corridor of history, where the Tudor maid and the Jewish victim of the Nazis co-exist and where women are peripheral to the power machinations of men. But Constance is always there, a silent witness, unnoticed but taking note. AE Harris Factory, to 19 Mar Lyn Gardner The Knot In The Heart, London David Eldridge returns to the Almeida with a world premiere, the first since his adaptation of the Danish film Festen, which went on to conquer the West End and Broadway. He seems to have a penchant for the Scandinavians, having translated three of Ibsen’s works, but on this occasion his new play is rooted in the here and now – in fact it all takes place within a mile of the Islington theatre. The Knot Of The Heart stars Lisa Dillon – recently at the Old Vic in Design For Living and A Flea In Her Ear – as Lucy, a successful children’s TV presenter who seemingly has always had everything but gets addicted to heroin and finds her life beginning to unravel. The part was written for Dillon, and is unusual in that the character is not defined by her relationship with men. The play is ultimately about love but, says director Michael Attenborough, it defies stereotypes. Almeida Theatre, N1, Thu to 30 Apr MC From Newbury With Love, Newbury Red Cape’s The Idiot Colony, about women incarcerated and forgotten in mental asylums, put them on the map in 2008, and this new piece was also inspired by a true story. In 1971, at the height of the cold war, 73-year-old Newbury resident Harold Edwards and his wife, Olive, sent a postcard to seven-year-old Marina, the daughter of an imprisoned Soviet dissident. The result of a letter-writing campaign by Amnesty International, it led to a 15-year correspondence between the families that lasted until Harold died. By then Marina was 24. The production draws on the original letters, which were a lifeline to Marina and her family in the knowledge that there was somebody who cared about their plight. Corn Exchange, Wed to 12 Mar LG The Tempest, Stratford-upon-Avon Once seen, never forgotten, Little Angel Theatre’s collaboration with the RSC on Venus And Adonis even had hardened theatre critics professing a love of puppets. Here, Little Angel tackles Shakespeare’s late play in a shortened version for children and adults. Playwright Phil Porter has adapted the original and Peter Glanville’s production makes use of puppetry and music to create the magical isle where Prospero rules by magic. The fantastical nature of the story should lend itself well to puppetry in what should be a spellbinding spectacle. Swan, Fri to 26 Mar LG Yerma, Leeds Surprisingly, West Yorkshire Playhouse has never produced a play by Federico García Lorca, and this new adaptation has a distinctly Irish bent. Directed by Róisin McBrinn, the Trinity College Dublin-trained director whose production of Novecento was recently seen at Trafalgar Studios in London, and adapted by the Irish writer Ursula Rani Sarma, it stars Kate Stanley-Brennan, who has appeared in plays at the Abbey including Mark O’Rowe’s Young Vic-bound Terminus. Stanley-Brennan plays Yerma, a young woman who has been married to Juan for years but who has not had the child that she so desires. Desperate and fearing the lonely years ahead in a passionless marriage, she takes matters into her own hands with tragic consequences. West Yorkshire Playhouse, Sat to 26 Mar LG Diary Of A Nobody, Northampton Holloway clerk Charles Pooter really is a nobody. Condemned by class and education to be part of the faceless grind of Victorian London – unexceptional, unrecognised and unremarked upon – Charles is determined to be a somebody. So he decides to keep a diary, pointing out why he is a cut above his fellow clerks, and you are going to hear the sparkling gems within, whether you like it or not. George and Weedon Grossmith’s late-Victorian satire really is a timeless comic gem, detailing Charles’s small acts of rebellion, social gaffes and attempts to make himself appear more important than he is. This new version by Hugh Osborne is performed as a physical theatre farce by a cast of four. The Royal, Sat to 19 Mar LG Sex Idiot, Manchester There are not many shows where you learn something new: such as the fact that you can make a fake moustache out of pubic hair. That’s exactly what performance artist Bryony Kimmings does in this bonkers but really rather lovable little show, which was inspired by her experience of contracting a common sexually transmitted disease. The pubic hair belongs to members of the audience who are invited to offer it up mid-show – and many of them do in a real spirit of generosity. This probably isn’t a night out for those who hate audience participation or who are easily embarrassed, but for all its cheerful wackiness this is a serious and upfront show about love, sex, one-night stands and broken hearts. Contact, Sat LG
guardian.co.uk © Guardian News & Media Limited 2010 Published via the Guardian News Feed plugin for WordPress.
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March 5 2011, 8:58am | Comments »
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I posted to usefulwiki.com
Deathtrap
http://usefulwiki.com/londontheatre/deathtrap.html
Deathtrap at the Noel Coward Theatre Deathtrap The Play Yesterday I wrote a glowing review for the revival of Ira Lewin’s comedy thriller Deathtrap at the Noel Coward Theatre. But when I read it back, I thought how unexciting it was compared to the play! So I thought maybe I’d do something a little different. Instead of a written review, here’s a quick audioboo file in which I talk about the play, it’s less than 5 minutes long, and a bit more interesting perhaps?
** book Deathtrap Theatre Breaks ** Deathtrap The Play – wiki Deathtrap was originally posted at London Theatre Breaks blog
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September 12 2010, 9:04am | Comments »
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I posted to theatrebreaks.co
Theatre Breaks Wiki
http://theatrebreaks.co/98/theatre-breaks-wiki/
We’re starting to collect up to date and accurate information about London Theatre Breaks, musicals plays and theatres on the Theatre Breaks Wiki starting with pages about each of the main West End Shows such as Grease theatre breaks Phantom of The Opera Love Never Dies theatre breaks Billy Elliot Avenue Q theatre breaks wiki Blood Brothers Les Miserables Phantom of the Opera Sister Act So if you fancy having a go at writing and editing theatre shows information, facts and reviews please go ahead – it’s very easy to make edits to the theatre breaks wiki, correct typos, add in extras etc from right here in your browser.
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October 5 2009, 5:10am | Comments »
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