Sophie Evans is Dorothy at last – Full Time in Wizard of Oz http://sophieevans.org.uk/111/sophie-evans-is-dorothy-at-last-full-time-in-wizard-of-oz/
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I posted to theatrebreaksforum.co.uk
Sophie Evans is Dorothy at last – Full…
http://theatrebreaksforum.co.uk/sophie-evans-is-dorothy-at-last-full/
January 21 2012, 2:46am | Comments »
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I posted to theatrebreaksforum.co.uk
The Wizard of Oz gets Four Nominations http…
http://theatrebreaksforum.co.uk/the-wizard-of-oz-gets-four-nominations-http/
The Wizard of Oz gets Four Nominations http://wizardofozlondon.co.uk/366/the-wizard-of-oz-gets-four-nominations/
December 4 2011, 2:17am | Comments »
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I posted to wizardofozlondon.co.uk
The Wizard of Oz gets Four Nominations
http://wizardofozlondon.co.uk/366/the-wizard-of-oz-gets-four-nominations/
The Wizard of Oz received four nominations in the 2012 Whatsonstage.com Awards. During the past month, more than 10,000 London theatre goers have been busy nominating their favourite productions. The shortlist was announced on Friday 2nd December today at the Cafe de Paris in London, and voting is now open for theatre fans to choose their winners at the Whatsonstage.com website. Voting closes on 31st January 2012, and the winners will be announced at a special ceremony on 19th February. The Wizard of Oz’s four nominations are:
Best Musical Revival – The Wizard of Oz London Newcomer of the Year – Danielle Hope Best Supporting Actress in a Musical – Hannah Waddingham Best Set Designer – Robert Jones
CLICK HERE to cast your vote!
Whatsonstage.com Awards – Theatregoers Choice Awards
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December 3 2011, 7:59am | Comments »
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I posted to theatrebreaksforum.co.uk
Danielle Hope from Wizard of Oz Performing http…
http://theatrebreaksforum.co.uk/danielle-hope-from-wizard-of-oz-performing-http/
Danielle Hope from Wizard of Oz Performing http://daniellehope.org.uk/138/danielle-performing-at-jonathan-reid-gealt-gig/
November 20 2011, 5:08pm | Comments »
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I posted to wizardofozlondon.co.uk
Wizard of Oz Prequel – Oz The Great And Powerful
http://wizardofozlondon.co.uk/364/wizard-of-oz-prequel-oz-the-great-and-powerful/
James Franco will play the young wizard in Oz The Great and Powerful, a feature film from Walt Disney Pictures that began production on July 25th 2011, directed by Sam Raimi. Oz The Great and Powerful is a prequel to The Wonderful Wizard of Oz (1900) by L. Frank Baum, with a script co-written by David Lindsay-Abaire and Mitchell Kapner. The story is told from the point of view of the Wizard, telling how the Wizard arrived in Oz and how he became the ruler. The all-star cast of the film includes Zach Braff as Franco’s assistant, Mila Kunis as the witch Theodora, Rachel Weisz as Kunis’ sister Evanora and Michelle Williams as Glinda the Good Witch. The film is due to be released through Disney Studios Motion Pictures on March 8th, 2013. When Oscar Diggs, a small-time circus magician is blown off course from Kansas to the land of Oz, he thinks he has made the big time. Then he meets three witches who don’t think he is the great wizard everyone has been expecting. Finding out who is good and who is bad helps Oscar Diggs become the great and powerful Wizard of Oz
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July 28 2011, 12:58pm | Comments »
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I posted to theatrebreaks.co
London 2012 Olympics Theatre Breaks
http://theatrebreaks.co/1538/london-2012-olympics-theatre-breaks/
Today July 27th being the start of the one year countdown to the London 2012 Olympic Games in Stratford, East London as part of the countdown launch, a large number of West End theatres have announced new extensions to the period for which the most popular shows can be booked. This is to allow London Theatre breaks to be booked well in advance for the period of the Olympics, and indeed the Olympic year 2012 as a whole, during which there are all sorts of special events laid on. Some of the shows announcing 2012 booking dates extensions are the following West End musicals and plays: We Will Rock You Wicked The Wizard of Oz Billy Elliot the Musical Blood Brothers Dreamboats and Petticoats Jersey Boys The Phantom of the Opera Mamma Mia! Legally Blonde the Musical Ghost The Musical Les Misérables Shrek The Musical Disney’s The Lion King Million Dollar Quartet The Mousetrap The 39 Steps Stomp Thriller Live War Horse The Woman in Black Rock of Ages Matilda The Musical
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July 27 2011, 7:10am | Comments »
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I posted to theatrebreaksltb.co.uk
New Musicals for Theatre Breaks
http://theatrebreaksltb.co.uk/285/new-musicals-for-theatre-breaks/
Since the start of tis year, 2011 there have been a handful of new musicals for theatre breaks opening in London. The Wizard of Oz began previews back in February with Danielle Hope starring as Dorothy, and has gone from strength to strength ever since. Expect high demand for theatre breaks and tickets around Christmas and early in the new year as families book themselves a winter treat. With somewhat less of a fanfare, the musical Betty Blue Eyes also opened in March for a limited run and is currently extended unti at least October 2011. Betty Blue Eyes is the story of a household surviving in post World War 2 Yorkshire by raising a pig to avoid the bacon rationing. Betty Blue Blues is in fact the name of the pig! Ghost The Musical is the big one, just opened in June in London after try out in Manchester and a showcase at West End Live 2011. The dazzling new musical GHOST, is based on the phenomenal Oscar winning Paramount Pictures film of the same name, and features great rock music by Eurythmics writer Dave Stewart with the help of Glenn Ballard. If you only see one new musical this year, go and see Ghost Lend Me A Tenor is an old fashioned Vaudeville style musical, which transferred from Plymouth and stars Matthew Kelly London Tube escalators are full of adverts for The Million Dollar Quartet, a story of fame, friendship, discovery, divided loyalties, professional jealousy and incredible music as four of the music industry’s most extraordinary talents, all in their creative prime, made music together for the first and only time in their careers. A true story of the electrifying night in 1956 when Elvis Presley, Johnny Cash, Carl Perkins and Jerry Lee Lewis came together to make music and ended up making history. Rock of Ages doesn’t actually start until next month, August 2011, but we had a preview of the soft rock, 1980s style juke box musical at West End Live. And last but by no means least, we had the opening of Shrek The Musical with Amanda Holden, a major blockbuster of a film and musical which looks set to be a favourite family choice for theatre breaks in London for many years to come.
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July 18 2011, 4:32am | Comments »
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I posted to wizardofozlondon.co.uk
Wizard of Oz London Cast Recording
http://wizardofozlondon.co.uk/358/wizard-of-oz-london-cast-recording/
The New Wizard of Oz London Cast Recording The full London cast album recording of The Wizard Of Oz is to be released on 2nd May 2011 on Polydor Records in association with Really Useful Group. The 24 track set includes all the much-loved songs from the Oscar-winning movie score by Harold Arlen and E Y Harburg plus new songs by Andrew Lloyd Webber and Tim Rice. The Wizard Of Oz cast recording features the full London cast of performers including the multi-award winning Michael Crawford and Danielle Hope, the winner of the BBC One hit TV show Over The Rainbow. The superb supporting cast comprises of Edward Baker-Duly (Tin Man), David Ganly (Cowardly Lion), Paul Keating (Scarecrow), Emily Tierney (Glinda) and Hannah Waddingham (Wicked Witch Of the West) accompanied by a 36 strong ensemble. Here’s the track listing from the show: Tracklisting ACT ONE 1. Overture 2. Nobody Understands Me 3. Over The Rainbow 4. Wonders Of The World 5. The Twister 6. Arrival In Munchkinland 7. Munchkinland / Ding Dong! The Witch is Dead 8. Follow The Yellow Brick Road 9. If I Only Had A Brain / We’re Off To See The Wizard 10. If I Only Had A Heart / We’re Off To See The Wizard 11. If I Only Had The Nerve / We’re Off To See The Wizard 12. We’re Outta The Woods 13. The Merry Old Land Of Oz 14. Bring Me The Broomstick ACT TWO 15. Haunted Forest 16. Red Shoe Blues 17. Bacchanalia 18. Red Shoe Blues (Reprise) 19. Over The Rainbow (Reprise) 20. If We Only Had A Plan 21. The Rescue 22. Hail Hail! The Witch is Dead 23. The Wizards Departure 24. Finale Read more: http://theatrebreaks.co/wiki/The_Wizard_of_Oz#The_New_Wizard_of_Oz_London_Cast_Recording#ixzz1IeYsvze4
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April 5 2011, 8:09am | Comments »
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I posted to theatrebreaks.co
The Wizard of Oz; Million Dollar Quartet; Great Expectations; And the Rain Falls Down – review
http://theatrebreaks.co/267/thewizardofoz-milliondollarquartet-reviews/
Theatre reviews for The Wizard of Oz, Million Dollar Quartet, Great Expectations, And the Rain Falls Down. See also previous Wizard of Oz Review
This article titled “The Wizard of Oz; Million Dollar Quartet; Great Expectations; And the Rain Falls Down – review” was written by Kate Kellaway, for The Observer on Sunday 6th March 2011 00.04 UTC We’re off to see the Wizard, and whether he is wonderful or not is going to depend partly on Andrew Lloyd Webber and Tim Rice’s reworking of Frank Baum’s book and of the classic 1939 movie. Danielle Hope, auditioned on the BBC’s talent show Over the Rainbow, is also making her debut as Dorothy. And, at the Palladium on the first night, the buzz is unmistakable. But we start by dropping in on a humble Kansas chicken farm where there is nothing more eventful to report than a broken incubator. No wonder Dorothy wants to leave home. This is also where we first clap eyes on the charming Toto, a white Cairn terrier, who deserves a review to himself (I hope there were treats offstage). Toto survives the yellow brick road, a circular treadmill, and is only occasionally understudied – when the going gets tough – by a stuffed toy Danielle Hope’s Dorothy deserves offstage treats, too – for her marvellous performance. If there is a problem, it is with the script. So many of her lines are plaintive, and the unvarying tone of high-pitched petitioning becomes an irritant. But, as a singer, she is perfect. Her voice has warmth, delicacy and power. She starts with the decent, if also-ran, new number “Nobody Understands Me” but we do not have to wait long for ‘”Over the Rainbow” which she offers in a centred, direct, affecting way. It is wonderful to watch her tilt her face upwards, allowing her voice to take off – as if letting out the string of a kite. Michael Crawford has cast himself as her protector. In his benign incarnation as Professor Marvel (the Wizard’s earthly alter-ego), he is encountered outside his caravan about to eat a sausage (which is nicked by Toto). He shows Dorothy magic lantern slides and sings “The Wonders of the World” (by far the best of the new numbers) about pyramids, the Eiffel tower, humpback whales… And he reminds us that he is a bit of a wonder himself, engagingly good at conversing his way through a song. Pots of gold, at the end of the rainbow, must have paid for Robert Jones’s spectacular sets, offset by Jon Driscoll’s virtuoso special effects. A fantastic cyclone transports Dorothy out of Kansas. An airborne cow, random masonry and Dorothy’s house – like a disintegrating matchbox – are hurled into the void. This effect is such a tour de force that Oz seems Toy Townish on arrival, a comedown – in every sense. But the emerald city brings a return to form: a green light district with art deco details, tipsy angles and the Wizard’s alarming residence. The good witch (Emily Tierney) is good – a magical air hostess. The bad witch (Hannah Waddingham) is bad (in a good way). Her “Red Shoes Blues” (another new song) is witty, full-blooded and magnificently performed. As the scarecrow, Paul Keating is poignant, merry and a natural at collapsing. Edward Baker-Duly’s tin man is excellent too, with rusty voice and echoing chest. David Ganly’s cowardly lion, in caramel catsuit and 60s mane, is sweetly camp, coming out with the line: “I’m proud to be a friend of Dorothy’s.” And Jeremy Sams’s direction is undaunted throughout. This show knows where it is going, as surely as if Dorothy had satnav to guide her home. Million Dollar Quartet focuses on 4 December 1956, when Johnny Cash, Jerry Lee Lewis, Elvis Presley and Carl Perkins were together at Sun Records, Memphis, Tennessee. This creates an opportunistic excuse for an almost non-stop performance of their hits. This jukebox musical plays so safe it ought to be dangerous, but a fresh cast, directed with pizzazz, by Eric Schaeffer, saves it. Ben Goddard, as Jerry Lee Lewis, is a sensation: manically musical. Michael Malarkey has an admirable stab at Elvis (an impossible undertaking). Robert Britton Lyons (the only cast member imported from the US) convinces as Carl Perkins. And Derek Hagen exactly catches Johnny Cash’s brooding quality. The “story” is held together by record producer/narrator Sam Phillips (a capable Bill Ward). I took one of my teenage sons along. He has had no experience of blue suede shoes, great balls of fire or of hound dogs – at least, not musically speaking. “The music was great,” he said. Tanika Gupta’s intrepid idea is to transpose Dickens’s Great Expectations into 1861 India. Sensibly, she keeps Memsahib Havisham (Lynn Farleigh) recognisable: an ancient bride-in-waiting but also daughter of an East India company trader. Pip (Tariq Jordan) is a likable lad who leaps out of the guava trees of his childhood into a challenging Calcutta adulthood as a nouveau riche English gentleman. Colin Richmond’s design attractively suggests an India of sunlight, silk and calico. But keep your expectations modest too: for all its promise, the surgery on the novel has been violent. Its staccato dialogue rings false. And, oddly enough, the abbreviations do not rescue the show from its longueurs. And the Rain Falls Down is conceived by talented theatre company Fevered Sleep (directed by David Harradine) and aimed at three- to four-year-olds. There is a cloud, like a bathmat, on the floor. Other clouds are pinned on a washing line. The show is, in case you couldn’t guess, about rain. It is beautifully simple and intermittently torrential. Two actors get drenched. The woman (Karina Garnett) adores it. The man (Carl Patrick) is a more cautious anorak-wearer. There is much umbrella innovation: little ones are equipped with see-through brollies and invited to splash about. Eventually there will be an umbrella rainbow. The audience, at the show I attended, split into land-lubbers and water babies. Several landlubbers were crying heartily not wanting to go over – let alone under – the rainbow.
guardian.co.uk © Guardian News & Media Limited 2010 Published via the Guardian News Feed plugin for WordPress.
The Wizard of Oz stars Danielle Hope and Michael Crawford.
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March 7 2011, 5:17pm | Comments »
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I posted to wizardofozlondon.co.uk
The Wizard of Oz London Palladium
http://wizardofozlondon.co.uk/354/the-wizard-of-oz-london-palladium/
The Wizard of Oz London Palladium
A great photo of the Wizard of Oz sign outside the London Palladium taken by Fizikal Rex / Dave Bond used here with permission.
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March 6 2011, 7:58am | Comments »
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I posted to theatrebreaks.co
The Wizard of Oz – review
http://theatrebreaks.co/260/the-wizard-of-oz-review/
The Guardian’s Wizard of Oz Review after the opening night on March 1st 2011 at the London Palladium. For more Wizard of Oz reviews see the Wizard of Oz London blog or the Wizard of Oz Facebook page.
This article titled “The Wizard of Oz – review” was written by Michael Billington, for The Guardian on Wednesday 2nd March 2011 00.53 UTC The Victorian theatre of spectacle is alive and well, and residing at the London Palladium. But although this adaptation of the Frank Baum book and the 1939 movie, with additional songs by Andrew Lloyd Webber and Tim Rice, is quite an eyeful, it’s somewhat lacking in humanity. I came out feeling blitzkrieged rather than charmed. The star of the show is undoubtedly the set and costume designer, Robert Jones. The Kansas cyclone that whisks Dorothy into a dreamworld is evoked through vorticist projections (the work of Jon Driscoll) that betoken chaos in the cosmos. The Yellow Brick Road is on a tilted revolve from inside which poppyfields and labyrinthine forest emerge. The Emerald City is full of steeply inclined walls suggesting a drunkard’s vision of the Chrysler Building lobby. And the Wicked Witch of the West inhabits a rotating dungeon that might be a Piranesi nightmare. Not since 19th century Drury Lane melodramas can London have seen anything quite like it; one has to admire the director and co-adaptor, Jeremy Sams, for marshalling the effects. But the story and the people get swamped. Danielle Hope shows a natural, easy presence as Dorothy, but can’t hope to compete with the scenery. Even Michael Crawford, playing both Professor Marvel and The Wizard, seems slightly subdued, and misses a trick by not highlighting the latter’s resemblance to PT Barnum whom he once played. Only two of the cast transcend the spectacle. Hannah Waddingham makes the Wicked Witch a pointy-chinned ogre who at one point flies over the audience’s heads with an elan that Spider Man might envy. David Ganly notches up a first by making the Cowardly Lion explicitly gay and announcing “I’m proud to be a friend of Dorothy.” Of course, there are the songs; it’s good to be reminded of such classics as Over The Rainbow, We’re Off To See The Wizard, and Follow The Yellow Brick Road. The additions by Lloyd Webber and Rice are also perfectly acceptable. Dorothy is given a good plaintive opening number, and Red Shoes Blues, sung by the Wicked Witch, has a pounding intensity. But, as a film scholar remarked to me, the movie was a story with songs rather than a full-blown musical. That delicate balance has been changed, and an essentially simple fable about the importance of individual worth seems overblown. I suspect in the end the show will be critic-proof and people will go to see both the winner of the TV talent contest and to luxuriate in the sumptuous visuals. But the paradox of the evening is that it suffers the same dilemma as the Tin Man: it might have been so much more if it only had a heart.
guardian.co.uk © Guardian News & Media Limited 2010 Published via the Guardian News Feed plugin for WordPress.
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March 5 2011, 2:43pm | Comments »
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I posted to wizardofozlondon.co.uk
Red Shoes Blues – Hannah Waddingham
http://wizardofozlondon.co.uk/344/red-shoes-blues-hannah-waddingham/
Hannah Waddingham sings Red Shoes Blues
One of the new songs written by Tim Rice and Andrew Lloyd Webber for the new musical Wizard of Oz in London. I want her shoeless.
March 3 2011, 7:44am | Comments »
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I posted to wizardofozlondon.co.uk
More Wizard of Oz London Reviews
http://wizardofozlondon.co.uk/338/more-wizard-of-oz-london-reviews/
So The Wizard of Oz opened in London yesterday with a sort of press night and now the reviews are starting to come in thick and fast. Ignoring the preemptive reviews such as that in the Sun far too early on, what are the papers saying about Danielle Hope and The Wizard of Oz today? Well the consensus seems to be that Andrew Lloyd Webber’s new production of The Wizard Of Oz has been met with broadly positive reviews from theatre critics. The show, which features Danielle Hope in the role of Dorothy after she won TV talent show Somewhere Over The Rainbow, was unveiled to the media and a star-studded audience including Sir Michael Caine and Barbara Windsor at the London Palladium on Tuesday night. Writing in the Daily Mail, Quentin Letts said the Manchester teenager was “more than efficient” in the lead role, praising her for her “clear, strong voice and a broad-shouldered confidence”. The Independent’s Paul Taylor gave it four out of a five stars, and gave a special mention to the “endlessly endearing” terrier in the role of Toto. Theatregoers – who also included Phillip Schofield, Rowan Atkinson, Michael Winner and Duncan James – strolled up the rainbow-coloured carpet as they arrived to see the production at the historic Palladium theatre in London. They were joined by several of the runners-up of the television talent show and Lloyd Webber himself, who looked somewhat like the Wizard of Oz in his green velvet jacket. Jodie Prenger, who was Lloyd Webber’s Nancy in Oliver! after winning BBC show I’d Do Anything and helped in the nationwide search for a dog to star as Toto, said she could relate to any first night nerves Danielle might be feeling. Speaking before the cast took to the stage, she said: “She’ll be petrified right now. But when she walks out on that stage you’ll see that they made such the right decision, because she’s just going to shine. She was just fabulous. And I can’t wait to see the dog.” The show received a standing ovation after wowing the audience with spectacular technical effects, including a revolving stage, a fantasy tornado and monkeys flying through the stalls. Michael Billington of the Guardian writes
.. I came out feeling blitzkrieged rather than charmed. The star of the show is undoubtedly the set and costume designer, Robert Jones. The Kansas cyclone that whisks Dorothy into a dreamworld is evoked through vorticist projections (the work of Jon Driscoll) that betoken chaos in the cosmos. The Yellow Brick Road is on a tilted revolve from inside which poppyfields and labyrinthine forest emerge. The Emerald City is full of steeply inclined walls suggesting a drunkard’s vision of the Chrysler Building lobby. And the Wicked Witch of the West inhabits a rotating dungeon that might be a Piranesi nightmare. Not since 19th century Drury Lane melodramas can London have seen anything quite like it; one has to admire the director and co-adaptor, Jeremy Sams, for marshalling the effects. But the story and the people get swamped. Danielle Hope shows a natural, easy presence as Dorothy, but can’t hope to compete with the scenery. Even Michael Crawford, playing both Professor Marvel and The Wizard, seems slightly subdued, and misses a trick by not highlighting the latter’s resemblance to PT Barnum whom he once played. Only two of the cast transcend the spectacle. Hannah Waddingham makes the Wicked Witch a pointy-chinned ogre who at one point flies over the audience’s heads with an elan that Spider Man might envy. David Ganly notches up a first by making the Cowardly Lion explicitly gay and announcing “I’m proud to be a friend of Dorothy.” Of course, there are the songs; it’s good to be reminded of such classics as Over The Rainbow, We’re Off To See The Wizard, and Follow The Yellow Brick Road. The additions by Lloyd Webber and Rice are also perfectly acceptable. Dorothy is given a good plaintive opening number, and Red Shoes Blues, sung by the Wicked Witch, has a pounding intensity. But, as a film scholar remarked to me, the movie was a story with songs rather than a full-blown musical. That delicate balance has been changed, and an essentially simple fable about the importance of individual worth seems overblown. I suspect in the end the show will be critic-proof and people will go to see both the winner of the TV talent contest and to luxuriate in the sumptuous visuals. But the paradox of the evening is that it suffers the same dilemma as the Tin Man: it might have been so much more if it only had a heart.
- Tags:
- Jodie Prenger
- Hannah Waddingham
- DUNCAN JAMES
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- Michael Winner
- Paul Taylor
- Robert Jones
- Sir Michael Caine
March 2 2011, 2:37pm | Comments »
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I posted to wizardofozlondon.co.uk
The Wizard of Oz Crashes his Balloon
http://wizardofozlondon.co.uk/328/the-wizard-of-oz-crashes-his-balloon/
Michael Crawford, The Wizard of Oz himself was the mystery guest on Chris Evans’ radio 1 show this morning. If you’re one of the few lucky people to have seen him earlier this week at the Palladium, he is truly marvellous in the Waizard role. Chris Evans asked Michael Crawford if anything has gone wrong in the previews so far, having started at the beginning of the week. Crawford said he has an interesting exit in a balloon which has caused some problems. One night a bit fell off it narrowly missing people on the stage but luckily they did see it coming and scattered, and then again last night he pushed the balloon in the wrong direction and it crashed into the set. Oops!
Michael Crawford and Danielle Hope
February 10 2011, 7:33am | Comments »
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I posted to wizardofozlondon.co.uk
Wizard of Oz Reviews
http://wizardofozlondon.co.uk/326/wizard-of-oz-reviews/
Of course it’s wrong to review a new show like The Wizard of Oz while it’s still in previews, because the performance you see in previews is not the same as the final Wizard of Oz musical after the press night or opening. Nevertheless, hundreds of people have been to see the show already and we will be curious to find out from them what they thought of it, and the performances of Danielle Hope, Michael Crawford and the rest of the cast. Here are some excerpts from pre-opening reviews: Jenna Sloan The Sun: The Wizard Of Oz doesn’t officially open until March 1 but The Sun attended a special preview last night. It was the first time the show has been open to the public – and it was truly spectacular. Witches sparkled and cackled, dropping in from the ceiling and rising from the floor. The yellow brick road dips and twists like a waltzer, and fire, smoke and steam effects create a dazzling atmosphere on stage. The majestic choreography is masterminded by former Strictly judge Arlene Phillips. Kids may find the Wizard – played by West End legend Michael Crawford – a bit scary, but everyone will be terrified by the demonic flying monkeys. The London Palladium has had a £4million overhaul to make it a suitable home for the high-profile show – and it was money well spent. The incredible collapse of Dorothy’s home in the tornado is almost cinematic, as computer graphics make the winds whirl as the house spins into space. And Danielle’s performance is as impressive as the stage show. Her rendition of Over The Rainbow made the spine tingle and earned her rapturous applause from the sell-out crowd. Her Kansas accent remained strong, and at the end of her faultless performance she received a well-deserved standing ovation. Danielle, from Urmston, Gtr Manchester, beat more than 9,000 hopefuls to land the part, with Lloyd Webber saying she “acts from the soul”. She knows she has huge ruby slippers to fill, reprising the role made famous by Judy Garland in the 1939 movie classic. But judging by last night’s performance, Danielle will ensure the Lord has yet another smash on his hands.
- Tags:
- palladium
- wizard of oz
- cast
- judy garland
- Over the Rainbow
- Danielle Hope
- The WIzard of Oz
- Michael Crawford
February 9 2011, 8:51am | Comments »
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I posted to wizardofozlondon.co.uk
It’s Tonight! Wizard of Oz 1st Preview
http://wizardofozlondon.co.uk/315/its-tonight-wizard-of-oz-1st-preview/
Tonight, Monday February 7th 2011 is the night of the first preview for The Wizard of Oz at the London Palladium. Everybody is so excited! Paul Keating: Thank you for all the good wishes. 1st preview tonight. It’s a full house at The Palladium, so we’re in for a treat. Of course there was a final dress run this afternoon: Wizard of Oz was fab. Pretty impressive for a dress run. Still stuff to do but it’s gonna be awesome. Waddingham of course brilliant. Interesting that Hannah Waddingham was picked out for a special mention there, the Wicked Witch of the West.
February 7 2011, 1:26pm | Comments »
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I posted to wizardofozlondon.co.uk
Wizard of Oz cast and crew on Radio 2
http://wizardofozlondon.co.uk/312/wizard-of-oz-cast-and-crew-on-radio-2/
Wizard of Oz crew with Claudia Winkleman
With the curtain about to rise on Andrew Lloyd Webber’s new production of The Wizard of Oz, we accompany some of of the cast and crew along the yellow brick road to discover more about the latest stage adaptation of one of the world’s best loved movies. Claudia Winkelman’s Arts Show on BBC Radio2 will be accompanying some of the cast and crew along the yellow brick road tonight Feb 3rd at 22:00 to find out all about the latest stage adaptation of The Wizard of Oz
February 4 2011, 9:07am | Comments »





